A drug addict, mortally wounded in his Act I, scene I combat with Donna Anna’a father?
A gay nightclub owner in the 1980s, chasing men as well as women?
A corporate executive who sexually harasses his female employees?
Or perhaps the alter ego of Lorenzo da Ponte, Mozart’s librettist?
Professor O'Connell's Music History Blog: Class Assignments, Readings, Listening Examples, and Random Stuff 