
Coltrane’s bare-bones score for his masterpiece, the four-movement suite A Love Supreme, which was recorded in one session in December, 1964:

Coltrane has noted in the manuscript that the piece should be played “in all keys together.” As his biographer Lewis Porter says, at the end of the first movement (titled “Acknowledgment”):
Porter suggests here that Coltrane wasn’t truly improvising, but composing.
Is A Love Supreme a jazz example of word-painting, a compositional technique dating back to the Renaissance and Baroque eras?
An example of word-painting from the English Renaissance: Thomas Weelkes’s madrigal “As Vesta Was From Latmos Hill Descending.” Note the way the vocal line travels downward on the word “descending,” for instance, and upward on the word “ascending.”
The fourth movement, entitled “Psalm,” is Coltrane’s note-for-word musical translation of his poem “A Love Supreme,” which was included in the liner notes of the LP. Coltrane described it as a “musical recitation of prayer by horn.”
A Love Supreme
I will do all I can to be worthy of Thee, O Lord.
It all has to do with it.
Thank You God.
Peace. There is none other.
God is. It is so beautiful.
Thank You God.
God is all.
Help us to resolve our fears and weaknesses.
In you all things are possible.
Thank you God.
We know. God made us so.
Keep your eye on God.
God is. He always was. He always will be.
No matter what… it is God.
He is gracious and merciful.
It is most important that I know Thee.
Words, sounds, speech, men, memory, thoughts,
fears and emotions–time–all related…
all made from one… all made in one.
Blessed be His name.
Thought waves–heat waves–all vibrations–
all paths lead to God. Thank you God.
His way… it is so lovely… it is gracious.
It is merciful–Thank you God.
One thought can produce millions of vibrations
and they all go back to God… everything does.
Thank you God.
Have no fear… believe… Thank you God.
The universe has many wonders. God is all.
His way… it is so wonderful.
Thoughts–deeds–vibrations,
all go back to God and He cleanses all.
He is gracious and merciful… Thank you God.
Glory to God… God is so alive.
God is.
God loves.
May I be acceptable in Thy sight.
We are all one in His grace.
The fact that we do exist is acknowledgement
of Thee, O Lord.
Thank you God.
God will wash away all our tears…
He always has…
He always will.
Seek him everyday. In all ways seek God everyday.
Let us sing all songs to God.
To whom all praise is due… praise God.
No road is an easy one, but they all
go back to God.
With all we share God.
It is all with God.
It is all with Thee.
Obey the Lord.
Blessed is He.
We are all from one thing… the will of God…
Thank you God.
I have seen God–I have seen ungodly–
none can be greater–none can compare to God.
Thank you God.
He will remake us… He always has and He
always will.
It’s true–blessed be His name–Thank you God.
God breathes through us so completely…
so gently we hardly feel it… yet,
it is our everything.
Thank you God.
ELATION–ELEGANCE–EXALTATION–
All from God.
Thank you God. Amen.
In fact, as you can see in this video, which shows the handwritten poem, in “Psalm,” Coltrane plays each syllable as a note, making it a kind of recitative in the form of a prayer.
With A Love Supreme,
Listen to the entire album here.
And watch a documentary about Coltrane’s obsessions and the obsessions of his fans here:
And read some of the comments on Youtube:
“This album got me sober, thank you Coltrane.”
“This album helped me survive a Dark Night of the Soul.”
“This reaches something that is beyond our existence.”
As critic Martin Gayford put it,
In fact, there’s an entire religion based around the album, the Saint John Coltrane African Orthodox Church in San Francisco, which hosts a monthly meditation on A Love Supreme.
As jazz writer Nat Hentoff put it:
Listening to Coltrane work through his own challenge may well stimulate self-confrontation in the rest of us. Each listener, of course, will himself be challenged in a different way.
Listen to audio of one of Coltrane’s last interviews, in which he talks about hearing Malcolm X speak, about his thoughts on the connections between jazz and the civil rights struggle, and about how music is a sacred expression of the human experience:
After his death, John’s widow Alice Coltrane — a remarkable jazz pianist in her own right — became a religious leader in her own right. A convert to mystical Hinduism, Alice founded the Vedanta Center in Southern California. Her music became mystical as well. Listen to her 1970 piece “Something About John Coltrane,” a tribute to her late husband. Do you think it has something of the mesmeric quality of the music of Black Christianity, in which Alice was raised?
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