As Michael Rosenwald observes in the Washington Post, the recent eruption of the disquieting chant “Send her back!” has a long history.
In 1972, singer-songwriter Randy Newman wrote an ironic song from the perspective of an eighteenth-century slave merchant trying to convince a little boy on the west coast of Africa to “sail away” with him to Charleston, South Carolina — the American center of the transatlantic slave trade.
In America you get food to eat
Won’t have to run through the jungle
And scuff up your feet
You just sing about Jesus and drink wine all day
It’s great to be an American
Ain’t no lion or tiger, ain’t no mamba snake
Just the sweet watermelon and the buckwheat cake
Everybody is as happy as a man can be
Climb aboard, little wog,* sail away with me
*Old-fashioned British racist term for people of African origin.
The song was covered by several prominent black artists, including Ray Charles:
Bluesmen Sonny Terry and Brownie McGhee:
As well as some white artists, like Linda Ronstadt:
The Punch Brothers — in a nice touch, performing live in Charleston:
Do you think the sense of irony is present in each of these performances?
Do you hear more or less of it in the black or white performances?
What do you think each of these artists intended to convey?
What about this performance? Bobby Darin changes “little wog” to “little one.” How do you think this choice affects the meaning of the song?
It’s interesting, too, that Darin is the only one of the white artists who uses “blackvoice.”