Category: 19th-century music
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“Yes, Brahms is evil . . .”
I do not know who wrote the short-lived and now-defunct-blog called Nihilism, Optimism, and Everything In Between. I found this piece a long time ago, and I’m very glad that the author hasn’t taken it down. It is about Brahms’s profoundly Romantic, deeply moving Piano Concerto no. 1 in D minor, op. 15: Brahms, you…
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Free, But Lonely
(Joseph Joachim in 1868.) “Frei Aber Einsam” — Free but lonely — was the personal motto of Brahms’s best friend, the Hungarian violinist Joseph Joachim. In 1853, for Joachim’s twenty-seconnd birthday, Robert Schumann, his composition student Albert Dietrich, and Brahms decided to collaborate on a present for their friend: a sonata for violin and piano…
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The Blue Flower
(Clara Wieck Schumann, Johannes Brahms, and Robert Schumann.) On October 1, 1853, the twenty-year-old Johannes Brahms, who was on tour accompanying violinist Eduard Remenyi throughout the German-speaking lands, knocked on the door of his idol, Robert Schumann in Düsseldorf. He played his Piano Sonata no. 1 in C Major for Schumann and his wife, the…
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Calinda
The earliest-known published book of African-American music, the 1867 Slave Songs of the United States, is primarily devoted to the religious vocal music of the slaves of the eastern seaboard. However, there are several songs at the end that are of a very different nature. These songs are in French and were collected in Louisiana, and…
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Time and Space from Beethoven to 1913
(Variation V m. 30 from the second movement of Beethoven’s Piano Sonata no. 32 in C minor, op. 111.) In 1913, an art exhibit was mounted at the 69th Regiment Armory on Lexington Avenue in New York City (around the corner from where Hunter College is now located). This exhibit, which came to be known…
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The Waiting is the Hardest Part
The legend of Dr. Faust — a scholar dissatisfied with his life, who sells his soul to the devil in exchange for renewed youth, strength, and vigor — is an ancient one. The first literary adaptations of the Faust legend began to appear in the sixteenth century, and every age since has reinterpreted the story…