Sit-in at a lunch counter in Greensboro, NC.
The album cover of We Insist! was an explicit reference to the Greensboro protests. We Insist! drew analogies between social and political freedom and the aesthetic freedom of its music.
The Max Roach Quintet performing “Driva Man,” one of the numbers on We Insist!, about the abuses of slavery. Note Abbey Lincoln’s Afrocentric dress and natural hair style, signs of resistance in the early 1960s.
Before her collaboration with Max Roach, Lincoln had been a “girl singer” marketed as much for her looks as for her musicianship.
Read “The Photos that Lifted Up the Black Is Beautiful Movement,” a lovely photo essay about 1960s resistance to white standards in the beauty and fashion industries.