Aside from the cheerful candy-colored queer eroticism of Janelle Monae’s video for “Pynk,” one of the things that strikes me is the way Monae flips the trope of women in a car into a narrative of black female pride and empowerment.
Women in cars are, of course, a well-worn visual feature of many rap music videos. In general, both the lyrics and the visuals suggest that women are, like cars, accessories, functional objects to be used, and less valuable than the cars they ride around in.
A couple of examples:
Dr. Dre, “Still D.R.E.”:
Wyclef Jean’s semi-tongue-in-cheek “Young Thug”:
Monae and her friends, however, use the car as a vehicle for freedom, independence, and irreverent fun.
Sort of like a combination of this:
Not unlike this:
Interracial buddy road movies have a long history in Hollywood, beginning with the 1958 prison-escape movie The Defiant Ones, featuring Tony Curtis and Sidney Poitier.
Perhaps it’s time for an interracial girl-buddy road film — or, for that matter, any girl-buddy road film in which the heroines don’t need to be destroyed in the end.
