Category: Jazz
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Mood Indigo
In addition to blues tonality, improvisation, virtuosity, freedom in melodic phrasing, propulsive rhythm, and harmonic complexity, one of the defining characteristic of jazz is the way the standard jazz ensembles — the particular mix of instruments — sound together. This sound is called timbre. The distinctive timbre of early jazz comes from the use of brass…
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The Spread of Jazz
Louis Armstrong and his Hot Five. Armstrong’s wife, pianist Lil Hardin, is at far right, next to Armstrong. The rise of recording and broadcasting technologies led to the spread of jazz from New Orleans to the urban centers of the North in the 1920s. Panel 1 of The Migration Series by Jacob Lawrence (1917-2000), showing…
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Origins of Jazz
Content/Trigger warning: Racist imagery and lyrics. Among the origins of jazz are several overlapping musical genres that were popular at the end of the nineteenth century. Black musical theater, which, around the turn of the twentieth century, crossed color lines to become popular with white as well as black audiences. Marti Newland singing “Swing Along,”…
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Go Down, Moses
The first published version of the spiritual “Go Down, Moses,” in 1862, attributed its authorship to “The Contrabands” — escaped slaves who joined the Union Army — who probably sang it as a rallying cry, rather than as a hymn. The song had been known for at least 15 to 20 years prior to its…
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Sun Ra, Intergalactic Afrofuturist
Sun Ra (born Herman Blount in Birmingham, Alabama in 1914) was not only a jazz pioneer. He was also a pioneer of all kinds of avant-garde sounds. In the 1950s, when record companies released 45-rpm discs in the hopes of selling them as hit singles, Ra used the 45-rpm technology to record his musical experiments.…
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Going Home
The second movement of Dvorak’s Symphony no. 9 in E minor (“From the New World”). What is the instrument that plays the poignant solo? It was thought that Dvorak took this melody from an African-American spiritual that his student and assistant, the composer Harry T. Burleigh, sang for him. (For more on Harry T. Burleigh…
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Black Men Play (with) the Classics
More cross-cultural encounters: The great jazz pianist Jason Moran (above right) plays one of the late piano works of Johannes Brahms (1833-1897), the Intermezzo op. 118 no. 2, with his trio, the Bandwagon. Listen to what happens. The piece as Brahms wrote it: