Category: MUS 113

  • Traditional African Music and Cross-Cultural Encounters

    Saint Maurice, patron saint of soldiers. Here are some examples of what African music from the earliest days of cross-Atlantic cultural encounters might have sounded like. When we talk about traditional African folk music, we have to qualify what we mean by “traditional.” We know about certain west African dances, like the Pandulungu, Guandu, or…

  • Fare Thee Well/Careless Love

    In his memoirs, John Lomax described collecting “Dink’s Song” in Texas in 1904, at a work-camp for skilled black builders from Mississippi who were constructing a levee on the Brazos River. Dink was one of a group of women imported from Memphis by the camp overseers to keep the workers happy and discourage them from…

  • More Call and Response

    The musical forms brought to the Americas by slaves from west Africa were generally functional: that is, they were used to aid in ritual, work, daily life, and war. Antiphonal singing also facilitated communication across distances. As the Malinke people of West Africa say, “There is no movement without rhythm.” Notice that rhythm aids with the…

  • Call and Response

    Call-and-response form is a structure imported to the Americas by enslaved African people in the seventeenth century. A brief history: A prison work song: (“Hammer, Ring,” Jesse Bradley and group, State Penitentiary, Huntsville, Texas, 1930s) A spiritual: “Talking ‘Bout a Good Time” (Moving Star Hall Singers, 1967) A sharecroppers’ work song: (“Arwhoolie,” Thomas J. Marshall,…

  • Spirituals, Black English, and the Sonic Color Line

    Map of American English dialects. On July 5, 2018,  The Nation, a left-leaning magazine of politics and culture founded in 1865, published a poem on its website called “How-To.” The poem, meant to be an ironic critique of the limits of white liberal compassion, uses what is called in the field of linguistics African-American Vernacular English…

  • Calinda

    The earliest-known published book of African-American music, the 1867 Slave Songs of the United States, is primarily devoted to the religious vocal music of the slaves of the eastern seaboard. However, there are several songs at the end that are of a very different nature. These songs are in French and were collected in Louisiana, and…

  • “Black to the fullest, a musician to the fullest, a homosexual to the fullest”

    Julius Eastman rehearsing Peter Maxwell Davies’s Eight Songs for a Mad King. In the past few years there has been a great deal of interest in the music of composer and performer Julius Eastman (1940-1990). Recent concerts and exhibitions of his work have been held in New York, Philadelphia, and Los Angeles, and recordings of his…

  • “Crazy” Blues?

    In the book Seems Like Murder Here: Southern Violence and the Blues Tradition, Adam Gussow devotes an entire chapter to Mamie Smith’s 1920 blues hit “Crazy Blues.” The song is believed to be the first blues recording ever released, and was entered into the Grammy Hall of Fame in 1994. Gussow’s main concern, however, is not…

  • Tracing the Sources

    [Content warning: racist language and imagery.] In the 1940s, the American composer Ruth Crawford Seeger, also a folklorist and musicologist, published a collection of American children’s folksongs she had compiled. One of the numbers in this volume of 43 songs is “Such a Getting Upstairs.” This singer asserts that it is a “going-up-to-bed-song” from Indiana.…

  • Authenticity, part II: Living Music Inspired by Ghosts

    When you hear a musical recording that’s scratchy and distant, you might naturally assume it’s old: a relic from the early days of sound recording. But what would modern music sound like were it subject to the same limitations that musicians faced in those days? That’s the question posed by The 78 Project, which gives musicians the…