Category: Shirley Graham DuBois
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Classically Black, part III: Nationalism and Internationalism in the 20th Century
In the nineteenth and twentieth centuries, some African-American composers working in classical music chose to compose in the standard forms of the European classical music traditions — i.e, an international style. William Grant Still, for instance, known as the “Dean of African-American Composers,” could be considered an “internationalist.” Among many other works, Still wrote five…
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The Sorrow Songs
W.E.B. Du Bois published The Souls of Black Folk in 1903. It remains a classic in the fields of both sociology and African-American literature. Du Bois believed that there were ten “master songs” that defined the African diaspora in America, and, in a kind of meta-narrative, he prefaced each chapter of the book with a quotation…