Category: Verdi
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Ossian in Italy
How did the poetry of Ossian (really, James MacPherson) influence Italian opera in the nineteenth century? Why was Ossian — later acknowledged to be a fraud — so important to the Romantic generation in Italy? Could it be because these supposedly ancient poems spoke to the longing for a unified culture and community, one based…
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“Ethiopian” Songs: Love and Theft
[Trigger/content warnings: lots of racist and ableist imagery and language.] In 1768, English playwright Isaac Bickerstaffe and Charles Dibdin — librettist and composer, respectively — presented their comic opera The Padlock at London’s Drury Lane Theatre. Dibdin portrayed the role of Mungo, a black slave from the West Indies, and his aria “Dear Heart! What a…
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Can Opera Be Woke?
Verdi’s 1887 opera Otello is based on Shakespeare’s great tragedy Othello, or the Moor of Venice. Othello, a heroic general who is manipulated by his aide-de-camp, Iago, into his tragic events leading to his own destruction, is a role considered by many to be the pinnacle of a classically-trained actor’s career. As such, well into the twentieth century,…