From Spirituals to Hip Hop:
American Music of the African Diaspora
(MUS 113)
SUNY Broome Department of Music
and Theater Arts
Dr. Julia Grella O’Connell
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Classically Black: Against the Grain
In 2018, the city of Austin, Texas was terrorized by a bomber who, over the course of two weeks in March, murdered two people, and injured several more, with homemade bombs sent through the mail to residents of communities of color. One of the dead was a 17-year-old classical musician, Draylen Mason, the only black…
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So Black and Blue
Ralph Ellison, above, writes in Invisible Man, his 1952 novel about race in America: Now I have one radio-phonograph; I plan to have five. There is a certain acoustical deadness in my [apartment], and when I have music I want to feel its vibration, not only with my ear but with my whole body. I’d like…
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Barbados
On the new album Our Native Daughters, featuring Rhiannon Giddens, Amethyst Kiah, Leyla McCalla, and Allison Russell (above), there is a banjo tune titled “Barbados,” believed to be the first western notation of a slave song in the new world. The melody was transcribed by one D.W. Dickson in Barbados in the 18th century. Giddens…
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Rap ≠ Hip Hop
Trigger/content warning: racist language in sources, including the n-word. Wynton Marsalis has said of hardcore rap: I call it “ghetto minstrelsy” . . . Old school minstrels [i.e. whites in blackface] used to say they were “real darkies from the real plantation.” Hip-hop substitutes the plantation for the streets. Now you have to say that…
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JumpJim’s Southern Journey
Some of the music JumpJim describes hearing on his trip to buy old blues records with Chester Bly — a trip that has many unintended consequences. JumpJim describes: Chester, knocking on doors, asking his monomaniacal question. Got any records? Under your porch, maybe? Pay a dime a piece. Here are some of the records the…
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Ridden by the Spirit(s)
Down South I always went to church . . . those services were rich with music and emotion. I would sit caught up in the music and watch those people who had “got happy” or “got the spirit” jumping around all over the place . . . In the Black [church] . . . the…
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Captain Jack
In the novel White Tears by Hari Kunzru, which is about the haunting of a 21st-century sound engineer by the ghost of a forgotten early-20th-century bluesman, the allegorical figure of “Captain Jack” appears early on, in a quoted song lyric. The lyric is from Son House’s “County Farm Blues” (1941): Down South, when you do…
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The Voices That Have Gone: Blues Ghosts
The only known photograph of Delta bluesman Charley Patton. Hari Kunzru based his portrait of mid-twentieth-century collectors of early blues recordings on a loosely-knit real-life group of blues enthusiasts — made up almost entirely white men — who called themselves the “Blues Mafia.” The character of Chester Bly in particular was inspired by the legendary…
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Selling Cars and Feeling Good
Pianist, singer, and activist Nina Simone’s 1965 recording of the song “Feeling Good” was used in a fascinating 2018 ad for a Buick model made in Shanghai. The song begins with Simone’s unaccompanied voice, and gradually adds instrumental parts verse by verse, becoming a big-band anthem with a full horn section. The Buick ad uses…
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Roll and Tumble
White Tears begins with an epigraph: I rolled and I tumbledCried the whole night longWoke up this morningI didn’t know right from wrong The earliest recorded version of these lyrics are from Hambone Willie Newbern’s “Roll and Tumble Blues,” on a 1929 Okeh Records 78. Alan Lomax recorded Delta blueswoman Rosa Lee Hill singing a…