Category: Nineteenth-Century Music

  • Variations on a Theme

    (Johannes Brahms, Clara Schumann, Robert Schumann.) Robert Schumann, no. 4 of Bunte Blätter (Colored Leaves), op. 99. In 1853, his wife, Clara (Wieck) Schumann, wrote a set of variations on this piece. The following year, Schumann was confined to the insane asylum at Endenich. Clara, who gave birth to their seventh child that May, was forbidden to…

  • Clair de lune

    Nuit du carnaval (Henri Rousseau, 1886). In an art song, there are many layers of meaning. There is the meaning of the sounds of the music. There is the meaning of the words of the text. There is also the meaning of the sounds of the words themselves. Listen to the sounds of the text read in French.…

  • The Alliances that Led to WWI

    Europe in 1914. The multiple alliances that led to the European conflagration This sums it up:    

  • Is Absolute Music Possible?

    Or does music always have an invisible program? Consider Johannes Brahms, the ostensible champion of absolute music. Brahms as an old man, the way he’s most often pictured. Brahms in 1853, the year he met the Schumanns. The night of their first meeting, Robert Schumann wrote in his diary: “Visit from Brahms (a genius).” Soon…

  • Going Home

    The second movement of Dvorak’s Symphony no. 9 in E minor (“From the New World”). What is the instrument that plays the poignant solo? It was thought that Dvorak took this melody from an African-American spiritual that his student and assistant, the composer Harry T. Burleigh, sang for him.  (For more on Harry T. Burleigh…

  • Classical Music Can Save Your Life

    It saved this violist’s life during the Great Depression. Archbishop Fulton J. Sheen told the great African-American mezzo-soprano Barbara Conrad in the 1970s that her singing might make the difference between life and death for someone in the audience. Miss Conrad was one of the students who broke the color barrier at the University of…

  • Can Opera Be Woke?

    Verdi’s 1887 opera Otello is based on Shakespeare’s great tragedy Othello, or the Moor of Venice. Othello, a heroic general who is manipulated by his aide-de-camp, Iago, into his tragic events leading to his own destruction, is a role considered by many to be the pinnacle of a classically-trained actor’s career. As such, well into the twentieth century,…

  • Black Men Play (with) the Classics

    More cross-cultural encounters: The great jazz pianist Jason Moran (above right) plays one of the late piano works of Johannes Brahms (1833-1897), the Intermezzo op. 118 no. 2, with his trio, the Bandwagon.  Listen to what happens. The piece as Brahms wrote it:

  • Poem: “Black Boys Play the Classics”

    (Photo: Johannes Brahms, 1833-1897.) Another example of “complicating” the repertoire. Is this poem about cultural appropriation or cross-cultural encounter? Black Boys Play the Classics BY TOI DERRICOTTE The most popular “act” in Penn Station is the three black kids in ratty sneakers & T-shirts playing two violins and a cello—Brahms. White men in business suits…

  • The Appropriation of Cultures

    Listen to a wonderful live reading of Percival Everett’s 1996 short story “The Appropriation of Cultures”: This is the song, “Dixie,” that Everett’s character Daniel sings. It was written in 1859, and was adopted, with additional lyrics, as the national anthem of the Confederacy. Perhaps the way that Daniel sings “Dixie” sounded something like jazz…