From Spirituals to Hip Hop:
American Music of the African Diaspora
(MUS 113)
SUNY Broome Department of Music
and Theater Arts
Dr. Julia Grella O’Connell

  • Tracing the Sources

    [Content warning: racist language and imagery.] In the 1940s, the American composer Ruth Crawford Seeger, also a folklorist and musicologist, published a collection of American children’s folksongs she had compiled. One of the numbers in this volume of 43 songs is “Such a Getting Upstairs.” This singer asserts that it is a “going-up-to-bed-song” from Indiana.…

  • Authenticity, part II: Living Music Inspired by Ghosts

    When you hear a musical recording that’s scratchy and distant, you might naturally assume it’s old: a relic from the early days of sound recording. But what would modern music sound like were it subject to the same limitations that musicians faced in those days? That’s the question posed by The 78 Project, which gives musicians the…

  • Authenticity (part I)

    The protagonist of Hari Kunzru’s 2017 novel White Tears, a young white recording engineer named Seth, describes days spent listening to music with his college friend, Carter Wallace: We worshipped music like [Lee “Scratch”] Perry’s but we knew we didn’t own it, a fact we tried to ignore as far as possible, masking our disabling…

  • Rebirth of a Nation

    [Content warning for disturbing, racist, and violent film imagery.] As we’ve discussed, the way that music and image interact can change, enhance, or even contradict the meaning of both the music and of the image. We are all familiar with the ability of image to define, revise, and re-write not only past history, but even…

  • Affrilachia

    A diagram of the major themes of country music. Country music may seem like the whitest of music genres, and has even been called “The White Man’s Blues.” Songs like Merle Haggard’s “I’m a White Boy” certainly advance that narrative. But is that narrative reliable? It’s true that some of the major themes of country…

  • Race, Class, Art, and Consumption

    Trigger/content warnings: N-word in original source. Marie-Guillemine Benoist, Portrait d’une négresse 1800, Musée du Louvre. New Zealand singer Lorde’s 2013 hit “Royals” appeared to be a critique of conspicuous consumption: My friends and I – we’ve cracked the code. We count our dollars on the train to the party. And everyone who knows us knows that we’re fine…

  • Can A White Girl Sing Selena?

    April 16 is a state holiday in Texas: Selena Day. Who was Selena? Selena was, is, and, were I to guess, will remain for eternity the most beloved female of all time in the Latino community. (Second place is the Virgin Mary, if you’re looking for context.) . . . She looked like (a more attractive…

  • Blackvoice

    TW/CW: Racist imagery, blackface minstrelsy. You know what blackface is. Is there such a thing as blackVOICE? What is it? Historically, we might call “blackvoice” one of the performative tools of blackface minstrelsy. In the days when minstrelsy was considered an acceptable form of entertainment, blackface and blackvoice existed simultaneously in the same performance/performer. What…

  • Identity and Transformation

    Detail from Synecdoche by Byron Kim, a series of oil paintings that are “portraits” of racial identity. As we all know, Rachel Dolezal was by no means the first white American to take on aspects of African-Americanness in her persona — calling Elvis, is anybody home?. . . But blackness has always been an integral part of…

  • Cultural Appropriation or Cross-Cultural Encounter?

    Trigger/content warning: racist language, blackface minstrelsy. Rihanna wearing a Catholic bishop’s mitre at the gala for the Metropolitan Museum show “Heavenly Bodies: Fashion and the Catholic Imagination.” The lines between cultural appropriation and a more innocent cross-cultural borrowing can be blurry. Are there rules for determining which is which? Is this cultural appropriation? (Watch the…

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